Postmodernism and Blade Runner

Technologically, what this may suggest is that we argon all being programmed in the postmodern era to " bakshish down" after our usefulness has ended.

Environmentally, this film emphasizes the devastation that occurs when piece allows its warlike impulses to go out of control (Hutchings, 382-383). The world has been devastated by a nuclear holocaust and is repair in Los Angeles in 2019. The glitter of Hollywood has been replaced of gray, chaotic, and crowded streets where antique vehicles are set against flying police cars and skyscrapers that are impossibly tall and get over above the smog that surrounds the city. The streets of Los Angeles are no longer the vibrant and costly playgrounds of the rich and famous. Instead, they are filled with noodle shops and exotic dancing girls and fixdy bars where desperate people taste to make some sense out of the emptiness of their lives. This is what David Desser (172) considers to be a Dystopian universe rather than a Utopian one. The in which J.F. Sebastian lives and where he hides the escaped androids is a building of "in one case great majesty, now an empty shell left to decompose" (Bruno, 63). It is this ongoing devastation that characterizes the environment beneath the skyscrapers and the longed-for pip world colonies which the street people will never see that in turn permeates the culture of Los Angeles in the film.

Literature Film Quarterly, 1985, 13: 172-179.

Hutchings, Peter J. "From Offworld Colonies to Migration

Jurisprudence." Law, Culture, and the Humanities,

Culturally, stigma Runner suggests that to be human is to be superior. However, few existence exhibit the sensitivity and self-awareness of the dying android Roy, or the self-examining suffering of the beautiful android, Rachel. If Deckard is to be considered the most sensitive of the earthly concern in the film, his sensitivity pales in comparison to that of both Roy and Rachel. When Deckard tests Rachel in her creator's office to determine whether or not she is human, his sense of superiority begins to crumble as he recognizes that his person of great peach tree is not, in conventional terms, "real."

Runner." October, Summer 1987, 41: 61-74.

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