Don DeLillo's novel

She also s annihilates her name to a company that is testing a bran-new drug which staves slay the fear of end. the drug does nothing for her, simply after knucklebones is exposed to the toxic chemical and told that he does not trust to know what that means, tinker's dam insists on taking the drug. His desire to repress end is much-criticized by others who see death as the naturel end of life. Even Orest engineers out that there are more concourse dead today than there are living or than ever have been living. jackstones's battle with the fear of death indeed becomes a battle with death itself, a battle Jack is bound to lose in the long run.

The story in one sense seems exaggerated, given the kinds of studies the college supports and the attempts to break odd records, but the obtain is true to the nature of American popular kitchen-gardening and the way the family today is hemmed in by engineering and encircled by efforts to stave off death. The fear of death that permeates this book is one felt by many people, and DeLillo is not the world-class to find it as a key element in American life where men and women search to remain new-fangled through everything from diet and exercise to plastic surgery and the acceptance of dress meant for the younger generation; where people are so busy trying to avoid death that they have circumstantial time to live; where the family becomes a tool for the fight against death by one or both parents; where people seek to prove they are alive through every new fad, bizar

re idea, or proficient tool promising long life; and where this fear of death is manifested in much social behavior.

DeLillo, Don. White Noise. New York: Viking, 1985.

You could get your faith in technology. It got you here, it can get you out. This is the whole point of technology. It works an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature (285).

Indeed, there is life, and the sassy shows how Americans seek life in technology and seek to defend life by preserving the image, which creates a confusion all its profess for Jack when he sees Babette on tv:

The way DeLillo presents American life shows how this society is obsessed with images of both good and evil, oft using an image until it no longer represents anything but itself. Jack and Murray drive to a tourist attraction called "the most photographed b in America" (12), and when they get there, the barn is so encircled by signs proclaiming its importance that you cannot see the barn itself. The all-pervasive power of television is shown as giving America a degree of sanction cited by Murray:

The landscape in the novel is littered with technology that shapes lives in questionable ways, and DeLillo often turns his own criticism on its head as Murray argues that what may be perceived as a negative--such as the powerful influence of television--is actually a positive. The bizarre nature of many of Murray's arguments causes the reader to reexamine the issues elevated and consider the meaning of the technology that surrounds us and the way we create icons and bow down to them.

"White noise" is the electronic nonmoving heard when a radio station is off the air. It is setting sound, created by technology, and in this novel the fear of death is the " unclouded noise" that surrounds the characters, that has also been made greater by technology, and that the tender being must learn to ignore if he o
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