Madame Bovary (1856) is Gustave Flaubert's

On the other hand, his falling into the habits of his previous marriage also suggest that he personifies the describe society in which Emma begins to anticipate she will always be obliged to operate and that she is beginning to resent just at the time of the ball given by Marquis d'Andervilliers. The full d?cor of the chateau and the sumptuous banquet confirm Emma's romantic mood of aristocratic life, unless her attempts to ape the aristocracy active whom she reads forever are pathetic. Charles's conventional comportment and lack of ambition excoriate her to the point of taking Rodolphe as a lover. Her incessant complaints to him that "she was bored, that her economize was odious, her life frightful" (Flaubert 118) can be interpreted as a tactical mishandling of her illicit romance, but that, like the " plastered sort of attachment" (121) that she forms for Rodolphe, are a function of organism incapable of marshaling personal resources to transform her life step forwardside the range of romantic impressions of how she wants the world to be. The effect of this approach to the world is to get out inevitable a destiny, or ultimate outcome, involving confrontation betwixt her romantic notions and the world's reality.

To do her some justice, Emma is not enti curse ludicrous about the limitations of her life. The affair with Rodolphe coarsens her manners and speech and is noteworthy because bulk gossip about it, as well as about her social pretensions, in ways that t

hey would not gossip about a man. Yet Emma conceives of come off from limits via an improbable elopement, naively anticipating that Rodolphe will be delighted to switch both her and her child on his hands; she must rely on the man to save her. When that fails, the only mechanism change her to cope with the disappointment of his desertion is complete withdrawal from reality--a tense breakdown.

Charles's single attempt to make a national write up with the clubfoot machine destroys his medical reputation and amplifies Emma's scorn for him, but her ideas for extricating herself from her circumstances--eloping with Rodolphe, taking Leon as a lover, dissembling to obtain Charles's force out of attorney--ultimately dissolve in failure. She does not know how to step out of the circle, except to flout conventional morality (in secret). Curiously, even the fornication with Leon takes on the flavor of conventional unconventionality. When the passion between her and Leon cools, she still continues to write love letters to him, "in virtue of the notion that a woman must write to her lover" (Flaubert 185).

close to every stratagem Emma devises for escaping the limits of genteel poverty turns back upon her. In part that can be explained by her inability to outgrow her adolescent romanticism, which evolves into almost total self-absorption. Ironically, her solipsism contributes to the fact that she is trapped. Her underfunded extravagance with jewellery and wardrobe and her feeble
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