Luhrmann uses many different techniques to create tension and impact in the Roxanne scene. The scene is already tense as it is a crisis spot in the film - Satine, the harm, must choose between prisonbreak her true love Christians heart and saving the Moulin Rouge by sleeping with the Duke, or losing the Moulin Rouge but not pain in the ass Christian by not sleeping with the Duke. One of the techniques utilise to accentuate the tension is to split the scene between 2 different storylines, one containing Satine and the Duke in the chivalric loom; the otherwise set in the Moulin Rouge with many people. This gives the scene a quicker pace and allows Luhrmann to contrast the two settings effectively, creating a great impact on the audience.
Another of the techniques Luhrmann uses to contrast the two settings is the use of ignition system and colour in each setting, with the cool blue sky of the Gothic Tower juxtaposing the hot red of the Moulin Rouge. The Moulin Rouge is dark and vague with low-key combusting, which creates a secretive and perhaps seductive atmosphere. The washy seems to be tinted red, which may symbolise Christians anger, frustration at his and Satines situation, and excessively his love for Satine. It could also be a link to the prostitute in the song, Roxanne, and her red light.
As Christian moves outside during the scene, the tinted light effect leaves the Moulin Rouge and follows him, reinforcing this idea. By way of contrast, the Gothic Tower uses high-key lighting but the blue tint prevents the scene from be naturalistic. The unnatural blue lighting gives Satine an unhealthy, almost deathly look, perhaps exacerbated by the audiences knowledge of her illness, making the audience slightly tense. The blue filter used also suggests to the audience the idea...
If you want to get a full information about our service, visit our page: How it works.
No comments:
Post a Comment