Even though doubting Thomas much than satisfies many of the attributes of the classical explanation of a sad scrapper, he does non satisfy abundant to be counted as such. According to the translation of a sad hero, the protagonist must be genuinely conspicuous. more(prenominal) certainly satisfies this aspect, because he was one of the most respected barristers in England. much was in like manner the chancellor of England and the matter of much speculation among the fastness class. A tragic hero must also be a human, with flaws and all. This is where the definition begins to set off from Thomas more(prenominal). more(prenominal) is a paragon of virtues. He is a devout Catholic that leave alone not profane his beliefs, even to save his life. This break bolt down follows through the line of reasoning with its defiance of the next teaching: A tragic hero must have a tragic flaw that leads to his/her downfall. More has none. The action that leads to Mor es death is the lying under oath of Richard Rich. This lying under oath arose from Mores wanting to protect Richard eternal soul (by not providing a job in which he would be tempted to possess bribes). More never erred in any way. Towards the end of the definition, More satisfies more or the tenets. Mores downfall is inevitable. He would not kind his views, which were against the fagot. The king has the ultimate power at this time; More had none.
With the perjury of Richard, Mores fate was sealed. Despite the inevitability of his demise, More cool it fights. More fights through his silence. Of course, this was not good enough. More also fights the placement through his d eposition in the climax of the film. Thomas! uses this opportunity, well-educated that he will die, to speak his mind and barrage sevens for their heresy against god. More is not a tragic hero, because integrally he has no tragic flaw. If you want to trace a full essay, order it on our website:
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