Wednesday, July 3, 2013

The Stranger

The St identifyr         The Stranger is a really interesting book. The principal(prenominal) character, Mersault, is very nondescript. He is very coldhearted to animateness in general, and doesnt even interest when his own mother dies. in that respect is non very much emotion in this novel, therefore this storyboard was difficult to create.         The pictures that we chose were what we assign best represented the more or less in-chief(postnominal) symbols and objects in our scene. Our best slide supplys a culture medium shot of Mersault as he was in the stir up at the beach. The television television photographic camera salmagundi everywhere was downhearted because we cute to return how big the sun was in the background. This creates an just about sin like countance. The hunting expedition of the camera is tracking in disposition to show him walking in the blazing set off. The visible radiotherapy chosen was noble secernate because it shows the brightness of the situation and it conveys the heat of the day.         The proficiencys we employ for Mersault, Masson, and Raymond were to use a low camera fee on them because it shows power over the Arabs. We also utilize the lavishly camera angle technique when trying to make the Arabs fall out disadvantaged and outnumbered. When Mersault was debating to kill the Arab or just walk away, we employ a spinning technique to show confusion and boom the effect that the suns heat was having on him. Without the sun, Mersault would not have been fiend and the Arab would still be alive. We utilize bottom lighting in a couple shots to show the sinister look on Mersaults face. For the scene where the two Arabs be lying in the sand, in vow to show their pureness we used the concept of cod care lighting darn they were tranquil in their surroundings.         We used innate compressed-ups to express the richness of each weapon.
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The picture of the Arabs playscript retentivity a wound represents a major change in the story so we wanted to concentrate on it. erstwhile the knife came into play, Mersaults life history went into a major change. The camera angle we chose for this slide was low. The movement we chose was tracking at close range so we could empathize up close the important return that was transpiring. The lighting in this situation was high unwrap because we wanted to show the beam of the knife.         We thought that this project helped us witness how to identify the chief(prenominal) symbols of the story. Through the use of camera angle, movement, sound, lighting, and shots we right off testament be able to secern the hidden meanings of prospective pieces that we examine. These camera techniques, when closely examined, foreshadow more things that are promptly much more evident. If you want to provoke a integral essay, order it on our website: Orderessay

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